{"id":2032,"date":"2024-04-11T12:48:05","date_gmt":"2024-04-11T10:48:05","guid":{"rendered":"https:\/\/theprojectjustine.org\/ghana\/"},"modified":"2026-03-20T14:48:51","modified_gmt":"2026-03-20T13:48:51","slug":"ghana","status":"publish","type":"page","link":"https:\/\/theprojectjustine.org\/fr\/ghana\/","title":{"rendered":"Ghana"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.25.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_image=\u00a0\u00bbhttps:\/\/theprojectjustine.org\/wp-content\/uploads\/2024\/05\/TPJ_header-subpage-GHANA.webp\u00a0\u00bb background_size=\u00a0\u00bbcontain\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1920px\u00a0\u00bb max_width_tablet=\u00a0\u00bb100%\u00a0\u00bb max_width_phone=\u00a0\u00bb100%\u00a0\u00bb max_width_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb height=\u00a0\u00bb640px\u00a0\u00bb height_tablet=\u00a0\u00bb640px\u00a0\u00bb height_phone=\u00a0\u00bbauto\u00a0\u00bb height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ disabled_on=\u00a0\u00bbon|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#E88043″ transform_translate=\u00a0\u00bb0px|-35%\u00a0\u00bb transform_translate_linked=\u00a0\u00bboff\u00a0\u00bb custom_padding=\u00a0\u00bb50px|50px|50px|50px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb header_font=\u00a0\u00bb|||on|||||\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_font_size=\u00a0\u00bb24px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Train the Trainer pour le d\u00e9veloppement de tissus tiss\u00e9s \u00e0 la main<\/h1>\n

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Pour boucler la cha\u00eene de valeur textile de mani\u00e8re globale, il ne suffit pas de cultiver du coton, de former des tisserands et des tisserandes, ni de produire des v\u00eatements en s\u00e9rie. Le d\u00e9veloppement de tissus tiss\u00e9s \u00e0 la main est \u00e9galement d\u00e9terminant.
En collaboration avec l\u2019Universit\u00e9 de l\u2019\u00e9ducation de Winneba, nous travaillons au perfectionnement des techniques de tissage traditionnelles dans le cadre de la recherche appliqu\u00e9e en design et en mat\u00e9riaux. L’objectif est de cr\u00e9er nos propres tissus qui pr\u00e9servent le savoir-faire artisanal, font preuve d’une vision cr\u00e9ative avant-gardiste et r\u00e9pondent en m\u00eame temps aux exigences d’une utilisation et de march\u00e9s contemporains.
Cette approche allie tradition et innovation, renforce l’identit\u00e9 culturelle et contribue \u00e0 l’autonomie \u00e9conomique, \u00e0 la dignit\u00e9 et \u00e0 des perspectives \u00e0 long terme au sein du secteur textile local.<\/h2>\n

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Train the Trainer pour le d\u00e9veloppement de tissus tiss\u00e9s \u00e0 la main<\/h1>\n

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Pour pouvoir fermer la cha\u00eene de cr\u00e9ation de valeur textile, outre la culture du coton, la formation des couturi\u00e8res et des couturiers et la production en s\u00e9rie de v\u00eatements, le d\u00e9veloppement de fils et de tissus de haute qualit\u00e9 est \u00e9galement important. Avec l’Universit\u00e9 de l’\u00e9ducation de Winneba, nous nous aventurons pr\u00e9cis\u00e9ment sur ce terrain passionnant. Il s’agit d’autosuffisance \u00e9conomique, mais aussi de culture, d’identification et de dignit\u00e9.<\/h2>\n

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R\u00e9gime politique<\/p>\n

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Surface<\/p>\n

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Habitants (2021)<\/p>\n

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71 % de chr\u00e9tiens, 18 % de musulmans,\u2028
5 % religions traditionnelles<\/p>\n

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Taux d’alphab\u00e9tisation des jeunes
(2018)<\/p>\n

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Taux de croissance de la population
(2021)<\/p>\n

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Profil du pays<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/theprojectjustine.org\/wp-content\/uploads\/2024\/05\/891-23-XI-391-\u00a9AttilaHenning-Ghana-Geographic.webp\u00a0\u00bb title_text=\u00a0\u00bb891-23-XI-391 \u00a9AttilaHenning Ghana Geographic\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb50px||50px|50px|true|false\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|||0px|true|false\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|||0px|true|false\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb24px\u00a0\u00bb text_line_height=\u00a0\u00bb1.3em\u00a0\u00bb header_3_font_size=\u00a0\u00bb24px\u00a0\u00bb header_3_line_height=\u00a0\u00bb1.3em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

SITUATION G\u00c9OGRAPHIQUE<\/p>\n

Le Ghana est situ\u00e9 dans le Golfe de Guin\u00e9e et est bord\u00e9 par la C\u00f4te d’Ivoire \u00e0 l’ouest, le Togo \u00e0 l’est et le Burkina Faso au nord. Le pays est \u00e0 peu pr\u00e8s aussi grand que la Grande-Bretagne, la plupart des habitants vivent le long de la c\u00f4te, dans la capitale Accra ou dans la deuxi\u00e8me plus grande ville \u00e0 l’int\u00e9rieur du pays : Kumasi.<\/p>\n

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\u00c9CONOMIE<\/h3>\n

En raison de sa stabilit\u00e9 politique, le Ghana est un p\u00f4le \u00e9conomique important en Afrique de l’Ouest. Depuis 2020, Accra accueille le secr\u00e9tariat de la nouvelle zone de libre-\u00e9change africaine, l’African Continental Free Trade Area (AfCFTA). Cependant, le manque d’infrastructures de transport, les taux d’int\u00e9r\u00eat \u00e9lev\u00e9s et la corruption continuent de freiner les investissements.<\/p>\n

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RELIGION ET LANGUE<\/h3>\n

Le sud du pays est marqu\u00e9 par le christianisme, le nord par l’islam, et les tensions entre les deux religions sont quasi inexistantes. En 1957, le Ghana a \u00e9t\u00e9 le premier pays subsaharien \u00e0 obtenir son ind\u00e9pendance. La langue officielle est l’anglais, mais il existe \u00e9galement plus de 70 langues ethniques, dont la plus importante est l’akan.<\/p>\n

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TEXTIL ET INDUSTRIE TEXTILE<\/h3>\n

Au Ghana \u00e9galement, les importations \u00e0 bas prix en provenance d’Asie ainsi que les v\u00eatements de seconde main en provenance d’Europe influencent fortement l’industrie locale du textile et de l’habillement. Le gouvernement tente de s’y opposer et de prot\u00e9ger le secteur. Les tissus Kente tiss\u00e9s \u00e0 la main, avec leurs motifs g\u00e9om\u00e9triques et leurs couleurs vives, sont caract\u00e9ristiques du Ghana.<\/p>\n

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D\u00e9veloppement de tissus \u00e0 Winneba<\/h3>\n

[\/et_pb_text][et_pb_text disabled_on=\u00a0\u00bbon|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.25.2″ _module_preset=\u00a0\u00bba3f57adc-1e54-4b2c-a298-14335025b788″ header_4_font=\u00a0\u00bb|||on|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Pour r\u00e9duire notre d\u00e9pendance vis-\u00e0-vis des tissus import\u00e9s, il faut revenir aux sources et se r\u00e9orienter : quelles sont les connaissances existantes, comment r\u00e9activer et r\u00e9interpr\u00e9ter les techniques et les motifs traditionnels, qui s’int\u00e9resse aux tissus tiss\u00e9s \u00e0 la main, quels mat\u00e9riaux sont disponibles et de quelle qualit\u00e9 sont-ils ? En collaboration avec Invest for Jobs, une marque de la Soci\u00e9t\u00e9 allemande pour la coop\u00e9ration internationale (GIZ), ainsi qu’avec l’Universit\u00e9 de l’\u00e9ducation de Winneba, nous cherchons des r\u00e9ponses \u00e0 ces questions. Sur le campus de l’universit\u00e9, nous exp\u00e9rimentons des techniques de tissage, des mat\u00e9riaux et des couleurs. Nous explorons le potentiel des fibres \u00e9cologiques telles que le coton biologique, l’ananas et le bois de bouleau. Nous r\u00e9alisons des analyses de march\u00e9 et \u00e9laborons des strat\u00e9gies visant \u00e0 accro\u00eetre la production de tissus tiss\u00e9s \u00e0 la main sans perte de qualit\u00e9 et dans le respect de bonnes conditions de travail.<\/p>\n

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Pour devenir moins d\u00e9pendant des tissus provenant de l’\u00e9tranger, il faut r\u00e9fl\u00e9chir et se r\u00e9orienter : quelles sont les connaissances disponibles, comment r\u00e9activer et r\u00e9interpr\u00e9ter les techniques et les motifs traditionnels, qui est int\u00e9ress\u00e9 par les tissus tiss\u00e9s \u00e0 la main, quels mat\u00e9riaux sont disponibles et de quelle qualit\u00e9 ? En collaboration avec Invest for Jobs, une marque de la Deutsche Gesellschaft f\u00fcr Internationale Zusammenarbeit (GIZ), et l’University of Education, Winneba, nous cherchons des r\u00e9ponses \u00e0 ces questions. Sur le campus de l’universit\u00e9, nous exp\u00e9rimentons des techniques de tissage, des mat\u00e9riaux et des couleurs. Nous explorons le potentiel des fibres \u00e9cologiques comme le coton bio, l’ananas et le bois de bouleau. R\u00e9alisons des analyses de march\u00e9 et \u00e9tudions les strat\u00e9gies permettant d’augmenter la production de tissus tiss\u00e9s \u00e0 la main sans perte de qualit\u00e9 et en pr\u00e9servant de bonnes conditions de travail.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb2″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/theprojectjustine.org\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-12-11-at-10.19.32.jpeg\u00a0\u00bb title_text=\u00a0\u00bbWhatsApp Image 2025-12-11 at 10.19.32″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″ max_height=\u00a0\u00bb250px\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Le programme de formation des formateurs, ax\u00e9 sur le tissage, constitue un \u00e9l\u00e9ment central de notre approche. Sous la supervision d’un expert allemand, des \u00e9tudiants ainsi que des tisserands et tisserandes qualifi\u00e9s de la r\u00e9gion de la Volta acqui\u00e8rent les comp\u00e9tences n\u00e9cessaires pour monter, utiliser et entretenir des m\u00e9tiers \u00e0 tisser en bois.<\/p>\n

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Notre objectif est que les tisserands et tisserandes puissent, \u00e0 l’issue du programme, mettre en place des sites de production autonomes et cr\u00e9er des emplois durables. Les connaissances acquises dans le cadre du programme sont transmises de mani\u00e8re cibl\u00e9e afin de former de nouveaux professionnels et de renforcer les comp\u00e9tences au sein des communaut\u00e9s locales. Nous favorisons ainsi la mise en place de petites structures locales r\u00e9silientes et garantissons l’ancrage durable du savoir-faire sur place.<\/p>\n

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Nous sommes en \u00e9troite collaboration avec des cr\u00e9ateurs et cr\u00e9atrices de mode africains ainsi qu’avec des acteurs de l’industrie textile locale afin de recenser syst\u00e9matiquement les besoins, les int\u00e9r\u00eats et les potentiels de d\u00e9veloppement. Outre les aspects \u00e9conomiques et techniques, le dialogue aborde \u00e9galement des questions centrales telles que l’identit\u00e9, l’ancrage culturel, le renouveau et les perspectives professionnelles dans leur propre pays.<\/p>\n

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Impressions et ressentis<\/h3>\n

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NOTRE CONTACT SUR PLACE : OSUANYI QUAICOO ESSEL<\/h3>\n

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Designer textile et sculpteur de formation, il enseigne la mode et l’\u00e9ducation textile \u00e0 l’Universit\u00e9 de l’\u00e9ducation de Winneba. Il s’int\u00e9resse particuli\u00e8rement \u00e0 la culture vestimentaire ghan\u00e9enne : pass\u00e9e, pr\u00e9sente et future.<\/p>\n

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Nouvelles et histoires<\/h3>\n

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<\/span><\/span>THE PROJECT JUSTINE \u2013 train the trainer e.V. <\/span><\/h3>\n

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L’association est dirig\u00e9e par Rahm\u00e9e Wetterich et Marie Darouiche, fondatrices de la marque de mode munichoise NOH NEE. Avec le succ\u00e8s de leur c\u00e9l\u00e8bre Dirndl \u00e0 l’ Africaine, la question d’un lieu de production appropri\u00e9 s’est rapidement pos\u00e9e : Dans quel pays, sur quel continent voulons-nous \u00e0 l’avenir faire fabriquer nos v\u00eatements ? Dans des conditions \u00e9quitables et dans un esprit d’int\u00e9r\u00eat, d’estime et de respect mutuels. La recherche d’une r\u00e9ponse coh\u00e9rente a conduit les fondatrices au B\u00e9nin en 2017, m\u00eame si une production n’\u00e9tait pas envisageable dans un premier temps. Non pas parce qu’il manquait des couturi\u00e8res et des tailleurs, mais parce qu’il manquait une compr\u00e9hension uniforme de la mani\u00e8re de coudre un pantalon, une chemise ou m\u00eame un dirndl.<\/p>\n

Aujourd’hui, THE PROJECT JUSTINE – train the trainer g\u00e8re son propre centre de formation et de professionnalisation dans le nord du B\u00e9nin, o\u00f9 de jeunes femmes et hommes apprennent le m\u00e9tier de tailleur de A \u00e0 Z et deviennent des formateurs et des formatrices. Cet engagement porte ses fruits. Les premiers \u00e9l\u00e8ves sont form\u00e9s, transmettent leur savoir aux promotions suivantes et sont sollicit\u00e9s par des pays voisins en raison de leur expertise. Avec l’int\u00e9r\u00eat croissant pour l’Afrique de l’Ouest en tant que site de production textile, les besoins deviennent \u00e9vidents de toutes parts : il manque aussi bien des tailleurs capables de travailler les tissus \u00e0 un niveau \u00e9lev\u00e9 et uniforme que des formateurs capables de former et d’instruire. Les premi\u00e8res coop\u00e9rations et partenariats par-del\u00e0 les fronti\u00e8res nationales voient le jour – toujours dans le but de cr\u00e9er des emplois \u00e0 long terme.<\/p>\n

Nous sommes reconnaissants pour le voyage qui est derri\u00e8re nous. Et nous attendons avec impatience les \u00e9tapes qui suivront. L’Afrique est en mouvement. Nous avan\u00e7ons avec elle.<\/p>\n

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Etapes importantes<\/h3>\n

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\u00c9quipe & soutiens<\/h4>\n

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Nos partenaires<\/h3>\n

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